{"id":5442,"date":"2025-07-07T14:29:35","date_gmt":"2025-07-07T13:29:35","guid":{"rendered":"https:\/\/miec.cm-stirso.pt\/exposicoes\/creative-unmakings-disruptions-in-art-archeology\/"},"modified":"2025-11-10T12:04:35","modified_gmt":"2025-11-10T11:04:35","slug":"creative-unmakings-disruptions-in-art-archeology","status":"publish","type":"exposicoes","link":"https:\/\/miec.cm-stirso.pt\/en\/exhibitions\/creative-unmakings-disruptions-in-art-archeology\/","title":{"rendered":"Creative (Un)makings: Disruptions in Art\/Archeology"},"content":{"rendered":"\n<p><strong>Creative (un)makings: disruptions in art\/archaeology<\/strong><\/p>\n\n<p>March 6 to September 6, 2020<\/p>\n\n<p>From the perspective of traditional cultural and academic disciplines, Art and Archaeology have maintained a comfortable relationship: collaboration, co-inspiration, and shared goals for advancing knowledge of human behavior and thought. Art\/Archaeology, a new transdisciplinary practice, has fractured this perspective, and the exhibition <em>Creative (Un)makings<\/em> brings this disruption into the museum world for the first time.<br \/>Art\/Archaeology argues that writing and thinking about the past must go beyond the usual boundaries of both disciplines, and that creative work should take the place of written texts and lectures. It opens a new space where creative practice, thought, and debate expand in unexpected directions\u2014where we discover new potentials for objects of the past.   <\/p>\n\n<p><em>Creative (Un)makings: Disruptions in Art\/Archaeology<\/em> presents this new approach to the past through three thought-provoking installations. The first, <em>Releasing the Archive<\/em>, features photographs and videos aimed at turning inside out the standard values used by museum and institutional collections to preserve historical objects and images. The second installation, <em>Beyond<\/em> <em>Reconstruction<\/em>, presents a matrix of ceramic fragments resulting from the construction\/deconstruction of a figure; it also includes documentary photographs of the process, highlighting the limits of archaeological reconstruction and opening up a broader creative space. The third installation, <em>Ineligible<\/em>, uses artifacts from an excavation in San Francisco as raw material for creating new artworks that prompt museum visitors to reflect on contemporary political and social issues such as homelessness and income inequality.   <\/p>\n","protected":false},"featured_media":5407,"template":"","categoria-do-programa":[117],"class_list":["post-5442","exposicoes","type-exposicoes","status-publish","has-post-thumbnail","hentry","categoria-do-programa-exhibitions"],"_links":{"self":[{"href":"https:\/\/miec.cm-stirso.pt\/en\/wp-json\/wp\/v2\/exposicoes\/5442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miec.cm-stirso.pt\/en\/wp-json\/wp\/v2\/exposicoes"}],"about":[{"href":"https:\/\/miec.cm-stirso.pt\/en\/wp-json\/wp\/v2\/types\/exposicoes"}],"version-history":[{"count":2,"href":"https:\/\/miec.cm-stirso.pt\/en\/wp-json\/wp\/v2\/exposicoes\/5442\/revisions"}],"predecessor-version":[{"id":8742,"href":"https:\/\/miec.cm-stirso.pt\/en\/wp-json\/wp\/v2\/exposicoes\/5442\/revisions\/8742"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/miec.cm-stirso.pt\/en\/wp-json\/wp\/v2\/media\/5407"}],"wp:attachment":[{"href":"https:\/\/miec.cm-stirso.pt\/en\/wp-json\/wp\/v2\/media?parent=5442"}],"wp:term":[{"taxonomy":"categoria-do-programa","embeddable":true,"href":"https:\/\/miec.cm-stirso.pt\/en\/wp-json\/wp\/v2\/categoria-do-programa?post=5442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}